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With its off-the-shoulder In memory of Aretha Franklin 1942 2018 . silhouette and exaggerated ruching. the frock harkened back to the glamorous cocktail dresses of the 1980s. She styled it with a simple black clutch, dangling plum earrings by Lorraine Schwartz, and for the shoes, she tapped a major trend of the moment: plastic footwear. Still, her polished choice, a cap-toe pump, was a far cry from the daring versions we’ve seen on Kylie Jenner and Kim Kardashian West. As for George? He looked dapper in a dark gray suit, white button-up shirt, and black oxfords.
In memory of Aretha Franklin 1942 2018, hoodie, sweater, longsleeve and ladies t-shirt
In other words, like a good husband, he allowed his wife to shine in the spotlight In memory of Aretha Franklin 1942 2018 .This year was Paloma Elsesser’s first time attending a Met Gala. “It feels really crazy,” the model said a few days before. “It is really exciting, and it is really nerve-racking when you look at how iconic the Met Gala is in general, and to ever envision myself going seems far-fetched.” Far-fetched no longer: Elsesser made her signature downtown-cool-girl debut on this year’s not red but pink carpet. She donned a Brock Collection dress with puffed, ruffled shoulders; a waist-whittling bustier; and a blooming peplum—a look styled by Eric McNeal.The campy part? The number was made out of denim, though the full dress inspiration dated back to centuries ago. “It really accentuates the shoulders and snatches [the waist]. It touches on the Renaissance and my body type,” she said of her curvy figure. “My body type wasn’t deemed negative in the Victorian or Renaissance era. It was fetishized and idealized, so [the silhouette] is kind of touching on those shapes.” As for the beauty and hair look, it was of the same glitzed-up time period with a bit of noughties nostalgia by makeup artist Grace Ahn and hair stylist Lucas Wilson. “So, I’m down to take risks on a glam standpoint,” said Elsesser, who sported a thin brow and purple eyeshadow. “I want to do kind of Christina Aguilera in the ‘Moulin Rouge’ music video and a drunk Marie Antoinette.” A finishing, glimmering touch? Larger-than-life assymetrical Panconesi crystal earrings.While Elsesser certainly came to stun on the red carpet, she considers her invitation to have a deeper meaning. For her, it is a significant marker of diversity. “There are predominantly black tables and high-fashion designers taking women far above a sample size and not having it be as obvious,” she says. “I truly believe it is an iconic representation of how the industry has changed. For a long time it catered to exclusivity, but now for me personally, it touches on the nuance of exclusivity and inclusivity at the same time. You can tell anyone who is watching and who is looking at this red carpet that everything is possible.”
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